Dyrness: Beauty is Structure and Character, not Surface and Finish

Visual Faith
Art by Stephen W. Hiemstra

William A. Dyrness.  2001. Visual Faith:  Art, Theology, and Worship in Dialogue.  Grand Rapids:  Baker Academic.

Review by Stephen W. Hiemstra

What exactly is beauty?

Last fall my kids took me to a film.  In the film, one of Hollywood’s most beautiful actresses portrayed a low-class, manipulative, rather loose woman.  The film’s plot seemed shallow and pornographic, designed more to offend than to enlighten.  I left the theater upset and annoyed, not entirely understanding why.

Introduction

In his book, Visual Faith, William Dyrness writes:

Our modern images feature surface and finish; Old Testament images present structure and character.  Modern images are narrow and restrictive; theirs were broad and inclusive…For us beauty is primarily visual; their idea of beauty included sensations of light, color, sound, smell, and even taste (81).

As the old adage goes, beauty is more than skin deep.

Beauty More than Skin Deep

In clinical pastoral education we were taught to look for dissidence between words and the body language of patients that we visited.  This disharmony between words and body language is, of course, a measure of truth.  In like manner, the Bible paradigm of beauty is that the truth of an object matches its appearance.

Dyrness writes:  the biblical language for beauty reveals that beauty is connected both to God’s presence and activity and to the order that God has given to creation (80).  The human spirit, although undefinable, is obvious by its absence:  a beautiful, living human body emptied of its spirit is no more than a repulsive corpse.  Morality works much the same way:  Like a gold ring in a pig’s snout is a beautiful woman without discretion (Proverbs 11:22 ESV).

Art as Cultural Window

While Dyrness does not dwell on social criticism, he sees a lack of artistic imagination as an impediment to renewal of faith—especially in a society that is constantly stimulated by visual images (155-156).  He cites the Prophet Joel:

And it shall come to pass afterward, that I will pour out my Spirit on all flesh; your sons and your daughters shall prophesy, your old men shall dream dreams, and your young men shall see visions (Joel 2:28 ESV).

As barriers between high class and popular art are lowered, we see the democratization (all flesh) of art that Joel prophesied.

Background

William A. Dyrness (www.fuller.edu/faculty/wdyrness) is a Professor of Theology and Culture at the School of Theology at Fuller Theological Seminary in Pasadena, California.  Visual Faith is written in 7 chapters:

  1. Development of the Visual Arts from the Early Church to the Middle Ages;
  2. Development of the Visual Arts from the Reformation to the Twenty-First Century;
  3. Art and the Biblical Drama;
  4. Reflecting Theologically on the Visual Arts;
  5. Contemporary Challenges for Christians and the Arts;
  6. A New Opportunity for Christian Involvement in the Arts; and
  7. Making and Looking at Art.

These chapters are preceded by a list of illustrations, a preface, and an introduction.  They are followed by a conclusion, notes, bibliography, and indices.

Need to Explore Christian Art

Dyrness describes his objectives as to—extend and enrich a Christian conversation on the visual arts—and he immediately relates this conversation to the dialog on worship (9).  Following Simone Weil, Dyrness observes that people are drawn to God through affliction, religious practices, and the experience of beauty.  He then goes on to argue that because modern life has banished these first two draws, the church is limited to the third draw—beauty—in attracting people to God (22).  Dyrness concludes arguing for renewal in three areas: a new vision for the arts, renewal in worship, and a restoration of the Christian art tradition (155).

Christian Art More than a Hobby

Dyrness speaks against the perception that interest in the arts is a Christian hobby practiced particularly by Catholics and mostly avoided by serious protestants.  He argues persuasively that both Jonathan Edwards and John Calvin saw God’s artwork in creation as infinitely more interesting than human artifacts (59).  In fact, Calvin’s outward focus in ministry—the whole of creation belongs to God, not just the sacred images of Jesus and the communion table in the church (the inward focus in the Middle Ages)—profoundly influenced art from the reformation period forward.

Assessment

Visual Faith is a fascinating book.  This review does not and cannot capture the subtly and freshness of Dyrness’ writing.  My own interest in the visual arts and Dyrness’ work arises out of my need to understand how to appreciate and incorporate visual art in online ministry.  In a visually sophisticated world, we need to understand images and how they shape our own thoughts.

What exactly is beauty?  Dyrness’ Visual Faith is a good place to start the conversation in searching for an answer.

Dyrness: Beauty is Structure and Character, not Surface and Finish

Also see:

Books, Films, and Ministry

Other ways to engage online:

Author site: http://www.StephenWHiemstra.net, Publisher site: http://www.T2Pneuma.com.

Newsletter at: http://bit.ly/Holy_Week_2018

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Introduction to Galatians

GalatiansBy Stephen W. Hiemstra

I am astonished that you are so quickly deserting him who called you in the grace of Christ and are turning to a different gospel (Galatians 1:6 ESV).

What exactly is the grace of Christ and what is the Gospel?  What is this different gospel that Paul writes about?  Over the coming six weeks, I hope to explore what Paul has to say about these and related topics in his letter to the Galatians.  My purpose today is to provide some background for this study.

Authorship, Location, and Date

No one disputes that the Apostle Paul wrote this letter (epistle) to the churches in Galatians.  However, since the nineteenth century, there has been a controversy among scholars as the location of these churches because the region of Galatia changed over time and included different ethnic communities.  In general, if Galatia refers to the southern part of Galatia, then the letter corresponds to Paul’s first missionary visit to the region (AD 49); if it corresponds to the northern part, then it corresponds to the second missionary visit (AD 53-57).

Other controversies revolve around lining up Paul’s trips to Jerusalem mentioned in Galatians 1:18 and 2:1 with corresponding verses in the Book of Acts.  Further disagreements arise in lining up the different passages where the region of Galatia is mentioned in the New Testament (NT).  These passages are:  Acts 16:6, 18:23, 1 Corinthians 16:1, Galatians 1:2, 3:1, 2 Timothy 4:10, and 1 Peter 1:1.  The details of these arguments are beyond the scope of this review [1].

Themes

The scholarly debate over Galatians is spirited because the letter compactly states the core themes in Paul’s theology.  Topics addressed include the relationship between law and gospel and between Jew and gentile.  Answers to these questions help define the nature of God’s grace, the role of our faith, and, in effect, the scope of Christian freedom.  The brevity of Paul’s letter forces scholars to interpret statements made in Galatians in terms of Paul’s other letters and the scope of other authors in the NT.

Hermaneutics

Hermes was the messenger god; hermeneutics is according the study of interpretation.  While there are many important schools of interpretation, three dominant interpretive views stand out: author, scriptural, and reader.  The author view asks:  what did the author mean to say?  The scriptural view asks:  when something is unclear, is there a clear statement elsewhere in scripture?  The reader view asks:  what does it mean to me?  John Calvin asked each of these questions and required also that interpretations consult the original languages of scripture—for example, Galatians was written in Greek.

Commentaries

It is helpful to use a wide variety of resources in Bible study even if time and energy are limited.  I plan to use these commentaries:

Bruce, FF. 1982.  The Epistle to the Galatians:  A Commentary on the Greek Text.  NIGTC.  Grand Rapids:  Eerdmans.

Hansen, G.W.. 1993. “Letter to the Galatians” pages 323-334 of Dictionary of Paul and His Letter. Compendium of Contemporary Biblical Scholarship.  Edited by Gerald F. Hawthorn, Ralph P. Martin, and Daniel G. Reid. Downers Grove:  InterVarsity Press.

Keller, Timothy.  2013.  Galatians for You.  USA:  TheGoodBook.

McKnight, Scot. 1995.  The NIV Application Commentary:  Galatians.  Grand Rapids:  Zondervan.

Of these, the Keller commentary is the most accessible to a lay reader.

I also make frequent reference to the Nestle-Aland Greek NT (Novum Testamentum Graece, 2012, Munich:  Deutsche Bibelgesellschaft) which includes an excellent concordance.

Footnotes


[1]If you are interested, check out:  (Hansen 1993, 327-328).

Introduction to Galatians

Also see:

Galatians 1: Christ Alone 

Christian Spirituality 

Looking Back 

Other ways to engage online:

Author site: http://www.StephenWHiemstra.net, Publisher site: http://www.T2Pneuma.com.

Newsletter at: http://bit.ly/2zRkNMJ

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